Unbox Video Downloads Recommend

New Amsterdam : not earth-shatteringly great, but still. . .,

A dramatic series about a young police detective who is actually many hundreds of years old after being brought back to life by a Manhattan Native American chief in the seventeenth century. After spending many lifetimes in New York City, he now solves crimes while trying to find his true love, who can restore his mortality.

not earth-shatteringly great, but still. . ., March 27, 2008

By Gabriela Perez "Oy! So many books. . . ."

 

There are things I don’t like about this show. I can see that already, and I’ve only viewed two episodes. For example, I am a bit irked by how knowing the main character is. He seems almost psychic, but then–he has the advantage of wisdom gained over decades and decades of living. When I keep that in mind, I can ignore how know-it-all he sounds at first listen. I do like that lead character, though. The actor who plays him (whose name I won’t destroy by mucking up the spelling here) does a good job of walking that line between humor and sarcasm, and he’s good with emotion, too. There’s one scene in the pilot where his heart gives out on him, and the expressions crossing his face were just excellently done.

The premise is a neat one, too. I like the whole idea of him searching for his soul mate, and I like the fact that he’s clearly been really searching for her and that he hasn’t been a user and abuser in his search. He’s pretty liberal in his approach to humanity, and I like that as well.

The photography is nicely done as well, as are all the scenes showing New York shifting and changing from John Amsterdam’s early life to the current landscape.

Michael Clayton   : The Bad and the Beautiful

Michael Clayton, a former prosecutor, takes care of Kenner, Bach & Ledeen’s “dirty work.” The firm’s top litigator sabotages a case and the firm sends Clayton to tackle this disaster.

The Bad and the Beautiful, October 12, 2007

Tony Gilroy has already proven that he can weave/write a great story via his writing for the "Bourne" franchise. And the striking thing about "Michael Clayton" is how Gilroy has written ironic, conflicted, complicated characters that are at once "good" (and in the world that Gilroy has created here…this is in itself a term that is up for interpretation) yet are often bad as in unethical, mean, misanthropic.

These characters can and do betray themselves and others: There’s no one to truly love or hate, from Sydney Pollack’s quietly devious law firm CEO, to Tom Wilkinson’s holy madman of an ace courtroom defense attorney, to Tilda Swinton as a tricky senior partner in nice suits that peel off to reveal sweaty armpits and a gift for rationalization.

Even our hero, Michael Clayton as portrayed by George Clooney is a loser: a 12 year veteran at his law firm who is utilized as a bag man, a fixer usually dispatched to do what amounts to private eye work.: cleaning up the firm’s client messes.

Clayton is a failure both professionally and personally: a failure as a father, brother, husband and Clooney strikes just the right notes here as Clayton struggles, fights to regain his dignity both as an officer of the court and more importantly as a father and a human being.

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